Connect the Dots: Igor Stravinsky----Lou Reed
While Sasha Frere-Jones handed down a stern critique of indie rock this month after being left flat-footed at an Arcade Fire show, his colleague at The New Yorker, Alex Ross, quietly released a book called The Rest Is Noise: Listening to the Twentieth Century that charts the "sublime, decadent, violent, and astounding" century in music.
During a book-tour stop last week at UC Berkeley, Ross opened with a hilarious passage describing the premier of Igor Stravinsky's revolutionary The Rite of Spring in Paris in 1913. The "snobbery and counter-snobbery" inside the theater made it difficult to hear the ballet over what amounted to "class warfare" between enthusiasts on both sides of the artistic gauntlet. Nonetheless, Ross describes it as the watershed event for musical innovation in the 20th century.
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