We asked some of our favorite musicians to tell us about some of their favorite artists, songs and moments from 2008. Here's what the Austin metal band the Sword had to say about the year in music.
Favorite album I'm gonna have to go with Torche, Meanderthalon that one. Torche is really one of my favorite bands. They satisfy the seemingly impossible qualification of being "as heavy as the Melvins." Sorry, no other band in the world is that heavy. AND they understand how to use melodies to really engage you and demonstrate a pop sensibility that hardly anyone can match. They are like an elegant Giant that has turned total destruction into a breathtakingly beautiful form of art.
My tastes and Pitchfork's generally tend to reside on opposite polar extremes (never did forgive that stupid 0.8 those humorless twits gave Northern State'sdebut six years ago, or the equally dumb 4.0 they gave Electric Six's first album, but the bigger problem is that a good lifetime has passed since their beloved indie college rock was anywhere near the most happening musical milieu out there.) Still thought it'd be fair to find out whether a few tracks on the site's 100 Best Tracks of 2008 list don't actually stink, though. (Same basic task I attempted here, and here, and so on.) Cross your fingers!
Before it was announced that metal it-band Torche's guitarist Juan Montoya would be playing his final show with the band at All Tomorrow's Parties' Nightmare Before Christmas Festival in England, Rhapsody spoke with an unaware Montoya about some of his best and worst moments and memories of 2008. In what became his last interview as a member of Torche, we learned about an altercation that took place between Montoya and singer/ guitarist Steve Brooks. As Brooks releases a statement saying "[Montoya is] no longer with us due to ongoing personal reasons," it seems the black-eye inducing altercation Montoya spoke of was the final deal-breaker.
The new January 2009 issue of Blenderincludes, among many other things, a list of "the top 144 songs of 2008," as presumably selected by the editors. (Though I write for the magazine some, my own input was not requested.) Unfortunately, I can't seem to find the list at blender.com, so maybe you'll just have to turn to page 66 at your neighborhood newsstand. Regardless, I still wanted to check the trustworthiness of some of their song choices that I'd somehow survived almost 11 months of the year without hearing (not unlike what I did with other '08 best-singles lists here, etc.). So, that's what I'm gonna do.
F*ck*d Up w/ Ezra Koenig, "Someone's Gonna Die Tonight" and "Parents"
We've got more video from the 12-hour F*ck*d Up show from this past October. In the above video, Vampire Weekend's Ezra Koenig performs "Someone's Gonna Die Tonight" by the legendary Oi band Blitz, as well as "Parents" by the Descendants. After the jump, check out F*ck*d Up's take on Black Flag classic "Nervous Breakdown."
In the latest installment of John Norris Interviews... our intrepid reporter ventures to the far off lands of Brooklyn to talk to the reverb-punk gals in Vivian Girls. John talks to the trio about the scarce availability of their early recordings, the facts and fictions of being in an all-gal band and much more.
More 2008 singles that other people of wealth and taste think are great, and maybe I'll agree or maybe or I won't (see also thesetwo previous posts). This time, from the running best-of-the-year list on New Yorker critic Sasha Frere-Jones' blog. Here goes:
I’m a pretty open-minded guy when it comes to music – sometimes probably too open-minded. But there’s a certain alt-rock sensibility that I feel like I’m largely immune to. I’m not sure what you’d call it; “middle alternative” (as in “middle of the road”) might work. Basically, I’m talking music that’s removed enough from pop pleasure or rock propulsion or metal vulgarity to seem extremely avant-garde to casual fans who’ve never delved deeper than commercial radio (a demographic that continues to shrink), but not so weird that you’d expect people who actually listen to music for a living to be all that impressed by it – confounding thing is, they regularly are anyway. It’s not too hooky, but not too crazy, in other words, and preferably vague and unformed and tentatively artsy enough that professional tastemakers can project any zeitgeist they pull out of their hat at it. At the moment, the two mildly interesting but widely acclaimed bands that seem to be benefiting most from this tendency – both from hipster central in Brooklyn, both touting their second-or-third-or-fourth album depending which demos and EPs you count, and both allegedly now incorporating all sorts of dance-music influences that somehow manage not to translate as tangible rhythm – are Gang Gang Dance and TV on the Radio.
Check out this live interview and performance footage from the 12-hour F*ck*d Up show last month, featuring appearances from Moby, Vivian Girls, Ezra Koenig (Vampire Weekend), Tim Harrington (Les Savy Fav) and John Joseph (Cro-Mags) and, of course, F*ck*d Up. The above video is a mini-documentary about the day-and-night-long event. Check out more performances after the jump.
There's a certain symmetry to Los Campesinos' hyperactive, Ritalin riot music and the prolific nature with which they release records. On We Are Beautiful, We Are Doomed (their second full-length release this year, following up, Hold On Now, Youngster), their unkempt guitars, shout-along choruses and jumble of violins and keyboards somehow combine to sound like music that needs a speedy delivery. They have lots of ideas and they get them down and out quickly. Miraculously, though, the caustic literacy of their songs never suffers.
[Click the "Continue Reading..." link to listen to a playlist featuring the
music discussed in this post.]
