Ever since Kanye kick-started hip-hop's love affair with Coldplay, we've seen more and more hip-hop stars getting chummy with the alt and indie rock bunch. Jay-Z loves him some Grizzly Bear (and Coldplay). Members of the Wu-Tang Clan, plus Mos Def, Q-Tip, Ludacris and other hip-hop honchos, formed Blakroc with the Black Keys just last year. Current breakout star B.o.B got a little help from Paramore's Hayley Williams on the chart-climbing "Airplanes"; he also revealed to us his own little crush on Coldplay, along with bands like Broken Bells, MGMT and Green Day on his celebrity playlist.
May 2010 Archives
Ever since Kanye kick-started hip-hop's love affair with Coldplay, we've seen more and more hip-hop stars getting chummy with the alt and indie rock bunch. Jay-Z loves him some Grizzly Bear (and Coldplay). Members of the Wu-Tang Clan, plus Mos Def, Q-Tip, Ludacris and other hip-hop honchos, formed Blakroc with the Black Keys just last year. Current breakout star B.o.B got a little help from Paramore's Hayley Williams on the chart-climbing "Airplanes"; he also revealed to us his own little crush on Coldplay, along with bands like Broken Bells, MGMT and Green Day on his celebrity playlist.

Listen to all the hip-hop and rap you want with your Rhapsody subscription. If you don't have one, click here to sign up for a free trial and see what we're all about.
Do rappers even rap anymore? When B.o.B's The Adventures of Bobby Ray debuted at the top of the Billboard charts, it not only divided critics and fans but also led to feverish claims that major labels don't support straight-up lyricism anymore, at least not without an equal helping of slumming pop vocalists and Auto-Tuned crooning to make rap palatable for the American Idol generation. The forthcoming arrival of Drake's Thank Me Later — which will probably follow Bobby Ray as the second No.1 hip-hop album of 2010 — hasn't dissipated those concerns, not when the Toronto artist spends his time wooing teenage girls with R&B hooks. Drake doesn't even rap on his latest single, "Find Your Love."

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When you think of the ingredients that make up Sex and the City, what comes to mind? Manolos. Martinis. Men. (And of course, Miranda, Samantha, Charlotte, Carrie and their storied BFF-ship.) But what about the music? The soundtrack of the HBO series was a bit too early for the tele-musical revolution staged by shows like The O.C. and Grey's Anatomy, which not only made getting your song on a TV show cool/useful again but maybe even make or break artists. And yet the sounds of Sex weren't at all insignificant. There's that familiar theme song, of course, with its vaguely, inexplicably Latin tinge. And little snippets help sketch out the lives of our fearsome foursome and the near-mythical Manhattan in which they live and love: a sultry sax (or OK, sometimes synth) lick when the ladies are getting down, sweeping strings when something really romantic happens, subtly sleek dance beats when the girls head out to a chic club, a contemplative tinkling of the piano or strumming of the acoustic guitar when Carrie writes up the week's deep thoughts ("But I had to wonder, was it meant to be? Or just mood music?").
With his warm grin and easygoing manner, Jack Johnson is a most unlikely music superstar. But don't let the golden tan fool you — Jack is Rhapsody's most listened-to artist of all time, which is one of the reasons we're proud to host the premier of his new album, To the Sea. If you're a Rhapsody member, dive right in. If you're not, sign up for a free trial and listen to Jack Johnson as well as all of your favorite artists as much as you want, anywhere you want — even on your iPhone, iPod Touch or Android devices. To you give you an idea of what we're all about, we've compiled a host of Johnson-related features below that range from an extended review of the new album to an interactive guide to music's obsession with the beach. It's all yours to enjoy with your Rhapsody subscription. Surf's up!

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Music has always been about more than what gets laid down in the studio and sent out over the airwaves. The personalities behind those songs play a major role in selling CDs, and what we expect from an artist is often dictated by genre. In the rock world, we look for rebellion and outrageous behavior, while we want our pop artists to be polished but fan-friendly. Meanwhile, over in the Christian and country markets there's a morality component that stems from a "God, family and country" mentality. The artists that populate these last two genres are expected to be more like the girl or boy next door — albeit with better hair and a nicer wardrobe.
Lately, some Christian and country artists are breaking those rules, though, pushing at boundaries and challenging the fans that helped drive them to the top of the charts in the first place. When Christian artist Jennifer Knapp and country crooner Chely Wright recently came out, they broke the unspoken "don't ask, don't tell" policies in their respective genres and sparked a conversation that is usually only carried out in whispers backstage.
Check out Rhapsody's exclusive interview with Band of Horses' Ben Bridwell. He talks about the making of "Infinite Arms, his newly revived record label, and getting back out on the road.
Listen to all your favorite Comedy artists whenever and however you want with your Rhapsody subscription. If you don't have one, click here to sign up for a free trial and see what we’re all
about.Does anybody really like David Cross' standup work? Best known by the larger public — which he is vocal about hating — as a member of HBO's Mr. Show, a sketch show he was on with Bob Odenkirk between 1995 and 1998, and his character Tobias Fünke on the acclaimed sitcom Arrested Development, which ran for three seasons (2003-2006), Cross is indisputably talented. Mr. Show, while spotty, had some great moments (like this), and Tobias Fünke had too many hilarious moments to list. Cross' portrayal is flat-out amazing. But listening to his albums (2002's Shut Up You F*cking Baby!, '04's It's Not Funny and his just-released Bigger and Blackerer), one can't escape the "hipster" vibe that pervades the proceedings. The thing is, Cross' anticommercial mentality and anti-Hollywood persona, as well as his whole take on things like The Blue Collar Comedy Tour (that it's crapola) and American society (idiotic), are views held by the same people he tends to rub the wrong way. It's a real paradox.

Listen to all your favorite Rock - classic and new - artists whenever and however you want with your Rhapsody subscription. If you don't have one, click here to sign up for a free trial and see what we’re all about.
Stone Temple Pilots are lucky suns of guns — who'd have ever thought they'd be releasing a self-titled sixth album in 2010, nine years (not to mention occasional Scott Weiland legal infractions and a couple ignorable Velvet Revolver records) since their last one? But they're also a very catchy rock band who've gotten a bum rap over the years, ever since early accusations that they didn't qualify as "real" grunge, as if being real grunge was ever something to be proud of. Here's Gina Arnold, in the Spin Alternative Record Guide from 1995: "S.T.P. lack many of Pearl Jam's virtues, most notably [Eddie] Vedder's sincerity and the incredible rhythm section of Stone Gossard and Jeff Ament; S.T.P. also lack roots, authenticity, and even the slightest vestige of punk rock cred." The rhythm-section claim is just plain baloney — Pearl Jam's sodden mush never matched S.T.P.'s bazookafied bounce, and never will. And as for the rest whoopty doo, y'know?

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Ever since Jack Johnson released his debut album, 2001’s Brushfire Fairytales, the music press has framed him as a Hawaiian surfer dude and liberal environmentalist who crafts mellow folk pop perfect for laid-back beach bonfires. It's a generalization Johnson doesn't seem too concerned with dispelling, probably because it's true, for the most part. His love for surfing and the ocean is immense. And unlike Bono, his activism — quiet yet persistent — doesn't feel like a cheap projection of an ego that's constantly craving press conferences soaked in camera flashes. The dude walks the walk for sure: he records at a studio powered by solar energy exclusively, packages his albums in recycled paper, donates 100% of his tour profits to various environmental and education organizations. What's more, all of these endeavors are meticulously documented. Fans can do a little research of their own to make sure their idol is indeed walking that walk.






