May 2010 Archives

When Hip-Hop and Alternative Meet

20100524_hip_hop_alt_575x225.jpg Ever since Kanye kick-started hip-hop's love affair with Coldplay, we've seen more and more hip-hop stars getting chummy with the alt and indie rock bunch. Jay-Z loves him some Grizzly Bear (and Coldplay). Members of the Wu-Tang Clan, plus Mos Def, Q-Tip, Ludacris and other hip-hop honchos, formed Blakroc with the Black Keys just last year. Current breakout star B.o.B got a little help from Paramore's Hayley Williams on the chart-climbing "Airplanes"; he also revealed to us his own little crush on Coldplay, along with bands like Broken Bells, MGMT and Green Day on his celebrity playlist.
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Listen to all the hip-hop and rap you want with your Rhapsody subscription. If you don't have one, click here to sign up for a free trial and see what we're all about.

Do rappers even rap anymore? When B.o.B's The Adventures of Bobby Ray debuted at the top of the Billboard charts, it not only divided critics and fans but also led to feverish claims that major labels don't support straight-up lyricism anymore, at least not without an equal helping of slumming pop vocalists and Auto-Tuned crooning to make rap palatable for the American Idol generation. The forthcoming arrival of Drake's Thank Me Later — which will probably follow Bobby Ray as the second No.1 hip-hop album of 2010 — hasn't dissipated those concerns, not when the Toronto artist spends his time wooing teenage girls with R&B hooks. Drake doesn't even rap on his latest single, "Find Your Love."

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Listen to all the glamorous pop music you want with your Rhapsody subscription. If you don't have one, click here to sign up for a free trial and see what we're all about.


When you think of the ingredients that make up Sex and the City, what comes to mind? Manolos. Martinis. Men. (And of course, Miranda, Samantha, Charlotte, Carrie and their storied BFF-ship.) But what about the music? The soundtrack of the HBO series was a bit too early for the tele-musical revolution staged by shows like The O.C. and Grey's Anatomy, which not only made getting your song on a TV show cool/useful again but maybe even make or break artists. And yet the sounds of Sex weren't at all insignificant. There's that familiar theme song, of course, with its vaguely, inexplicably Latin tinge. And little snippets help sketch out the lives of our fearsome foursome and the near-mythical Manhattan in which they live and love: a sultry sax (or OK, sometimes synth) lick when the ladies are getting down, sweeping strings when something really romantic happens, subtly sleek dance beats when the girls head out to a chic club, a contemplative tinkling of the piano or strumming of the acoustic guitar when Carrie writes up the week's deep thoughts ("But I had to wonder, was it meant to be? Or just mood music?").

Jack Johnson: The Sea Monster

Jack Johnson

With his warm grin and easygoing manner, Jack Johnson is a most unlikely music superstar. But don't let the golden tan fool you — Jack is Rhapsody's most listened-to artist of all time, which is one of the reasons we're proud to host the premier of his new album, To the Sea. If you're a Rhapsody member, dive right in. If you're not, sign up for a free trial and listen to Jack Johnson as well as all of your favorite artists as much as you want, anywhere you want — even on your iPhone, iPod Touch or Android devices. To you give you an idea of what we're all about, we've compiled a host of Johnson-related features below that range from an extended review of the new album to an interactive guide to music's obsession with the beach. It's all yours to enjoy with your Rhapsody subscription. Surf's up!

Jack Johnson - To The Sea

To The Sea Review


Review: Our critics discuss Jack's To the Sea
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Listen to all of Jack’s albums as well as guest appearances and more!
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Jack Johnson Playlist


Check out Jack Johnson’s classics in one handy playlist.
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Acoustic Dawn


Enjoy all of your favorite singer-songwriters on Acoustic Dawn radio.
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The Big Chill


See how artists like Jack Johnson and John Mayer have redefined music over the past decade.
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Let's Go Surfing


A visual representation of music’s obsession with the beach.
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Coming Out in Conservative Genres

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Listen to all your favorite Christian and Gospel artists whenever and however you want with your Rhapsody subscription. If you don't have one, click here to sign up for a free trial and see what we’re all about.

Music has always been about more than what gets laid down in the studio and sent out over the airwaves. The personalities behind those songs play a major role in selling CDs, and what we expect from an artist is often dictated by genre. In the rock world, we look for rebellion and outrageous behavior, while we want our pop artists to be polished but fan-friendly. Meanwhile, over in the Christian and country markets there's a morality component that stems from a "God, family and country" mentality. The artists that populate these last two genres are expected to be more like the girl or boy next door — albeit with better hair and a nicer wardrobe.

Lately, some Christian and country artists are breaking those rules, though, pushing at boundaries and challenging the fans that helped drive them to the top of the charts in the first place. When Christian artist Jennifer Knapp and country crooner Chely Wright recently came out, they broke the unspoken "don't ask, don't tell" policies in their respective genres and sparked a conversation that is usually only carried out in whispers backstage.


Q&A: Band of Horses



Check out Rhapsody's exclusive interview with Band of Horses' Ben Bridwell. He talks about the making of "Infinite Arms, his newly revived record label, and getting back out on the road.
20100524_david_cross_575x225.jpg Listen to all your favorite Comedy artists whenever and however you want with your Rhapsody subscription. If you don't have one, click here to sign up for a free trial and see what we’re all about.

Does anybody really like David Cross' standup work? Best known by the larger public — which he is vocal about hating — as a member of HBO's Mr. Show, a sketch show he was on with Bob Odenkirk between 1995 and 1998, and his character Tobias Fünke on the acclaimed sitcom Arrested Development, which ran for three seasons (2003-2006), Cross is indisputably talented. Mr. Show, while spotty, had some great moments (like this), and Tobias Fünke had too many hilarious moments to list. Cross' portrayal is flat-out amazing. But listening to his albums (2002's Shut Up You F*cking Baby!, '04's It's Not Funny and his just-released Bigger and Blackerer), one can't escape the "hipster" vibe that pervades the proceedings. The thing is, Cross' anticommercial mentality and anti-Hollywood persona, as well as his whole take on things like The Blue Collar Comedy Tour (that it's crapola) and American society (idiotic), are views held by the same people he tends to rub the wrong way. It's a real paradox.

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Listen to all your favorite Rock - classic and new - artists whenever and however you want with your Rhapsody subscription. If you don't have one, click here to sign up for a free trial and see what we’re all about.

Stone Temple Pilots are lucky suns of guns — who'd have ever thought they'd be releasing a self-titled sixth album in 2010, nine years (not to mention occasional Scott Weiland legal infractions and a couple ignorable Velvet Revolver records) since their last one? But they're also a very catchy rock band who've gotten a bum rap over the years, ever since early accusations that they didn't qualify as "real" grunge, as if being real grunge was ever something to be proud of. Here's Gina Arnold, in the Spin Alternative Record Guide from 1995: "S.T.P. lack many of Pearl Jam's virtues, most notably [Eddie] Vedder's sincerity and the incredible rhythm section of Stone Gossard and Jeff Ament; S.T.P. also lack roots, authenticity, and even the slightest vestige of punk rock cred." The rhythm-section claim is just plain baloney — Pearl Jam's sodden mush never matched S.T.P.'s bazookafied bounce, and never will. And as for the rest … whoopty doo, y'know?

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Enjoy unlimited, high-fidelity, totally mobile access to oldies, goodies, playlists, custom radio and great premieres like Jack Johnson's To the Sea with your Rhapsody subscription. Not a member? Click here for a free trial and to see what we're all about.

Ever since Jack Johnson released his debut album, 2001’s Brushfire Fairytales, the music press has framed him as a Hawaiian surfer dude and liberal environmentalist who crafts mellow folk pop perfect for laid-back beach bonfires. It's a generalization Johnson doesn't seem too concerned with dispelling, probably because it's true, for the most part. His love for surfing and the ocean is immense. And unlike Bono, his activism — quiet yet persistent — doesn't feel like a cheap projection of an ego that's constantly craving press conferences soaked in camera flashes. The dude walks the walk for sure: he records at a studio powered by solar energy exclusively, packages his albums in recycled paper, donates 100% of his tour profits to various environmental and education organizations. What's more, all of these endeavors are meticulously documented. Fans can do a little research of their own to make sure their idol is indeed walking that walk.

Field Trip: Acura Trailer



New Alternative Releases

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From indie powerhouses Broken Social Scene, The National and The New Pornographers to bluesy rockers The Black Keys and electro-punks LCD Soundsystem, the alternative landscape has seen some pretty decent releases over the last few weeks. We've got the latest and greatest from these artists and more. Tune in, turn on and play up. Not a Rhapsody member? Sign up for a free trial.

Soundtreks: Balkan Bordellos

20100518_soundtreks_575x225.jpgSpring has sprung and new albums seem to be sprouting up like dandelions in the lawn of, um, some tortured analogy. (Okay, let's leave analogies to the poets.) It's been a mixed season in the worldly realm, with some false starts and some great surprises. Let's tour through them.

The Big Chill

The Big Chill
Enjoy unlimited, high-fidelity, totally mobile access to oldies, goodies, playlists, custom radio and great premieres like Jack Johnson's To the Sea with your Rhapsody subscription. Not a member? Click here for a free trial and to see what we're all about.

Pop music has been knee-deep in the second coming of the mellow singer-songwriter for most of this young century. The movement more or less started back in 2001 when the double-helix of the new genre, John Mayer and Jack Johnson, dropped their debut full-lengths, Room for Squares and Brushfire Fairytales, respectively.

20100518_rap_hotlanta_575x225_02.jpg Listen to all the Dirty South rap you want with your Rhapsody subscription. If you don't have one, click here to sign up for a free trial and see what we’re all about.

As another summer beckons, another season of the Dirty South dance commences. The yearly ritual brings dozens of contenders, the kind of bubblegum rap that no one admits to liking in the daylight but everyone loves in the nightclub (and strip club) when the ladies are loose, the guys are stuntin' and the vodka is pouring. And most of it will probably come from Atlanta.

Ever since the mid-'90s and booty bass anthems like the Ghost Town DJs classic "My Boo" and, uh, Freak Nasty's less-than-classic "Da Dip," the ATL has beguiled and tormented us with its bubblegum rap. The current style is "swag," a misbegotten blend of materialist lyrical flossing, trap/thug authenticity and, occasionally, a new dance for the folks to try back home. And all you so-called real hip-hoppers step off. I bet that when you're partying at the club, and you're surrounded by dozens of hot girls, your drunken ass sings "Turn My Swag On," too.

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The music of The Fall, The Hold Steady and Titus Andronicus is yours to rock out to whenever and however you want with your Rhapsody subscription. Click here to sign up for a free trial and see what we’re all about.

Those who can’t sing, talk. But then again, so do those who just have a lot to talk about, as rappers have been reminding us for three decades now. Nonstop rock talkers are rarer, but date back at least to Bob Dylan. And recently hatched albums by Manchester’s The Fall, Brooklyn’s The Hold Steady, and New Jersey’s Titus Andronicus suggest they don’t plan to shut up anytime soon — though sometimes they might muffle the words a little.

Classic Rock Cornerstones

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The music of The Rolling Stones, The Flamin' Groovies and Neil Young is yours to rock out to whenever and however you want with your Rhapsody subscription. Click here to sign up for a free trial and see what we’re all about.

The Rolling Stones' Exile on Main St. is among the most celebrated albums of the past 50 years. It set the standard for boozy, bluesy rock and has been endlessly copied by generations of rockers. If you are new to Exile and have begun to memorize every second of it, like most classic-rock fans, you may want to check out these other records that serve as a foundation for the genre. These are big names and big records that can all hang with Exile on Main St. Basically, if we had the rights to The White Album, it'd go here. And hey, if you're not a Rhapsody member but you want to check out all this music, sign up for a free trial.


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Ronnie James Dio passed away on Sunday, May 16, after a six-month battle with stomach cancer; he was 67. Dio was the unmatched vocalist for Ritchie Blackmore's post-Deep Purple project, Rainbow; the second round of Black Sabbath's illustrious career (Heaven and Hell, Mob Rules, and Live Evil); and '80s heavy metal megastars Dio. More recently, he toured with Heaven and Hell, a band made up of Dio, Tony Iommi, Geezer Butler and Vinny Appice.
20100518_lcd_soundsystem_575x225.jpgHe's a tricky one, James Murphy. We knew that, of course—his whole career as LCD Soundsystem has been, in some ways, a performance of swaggering self-deprecation, a carefully calibrated balance of cool and anti-cool. He's an admitted provocateur, even telling one interviewer that he started playing disco in his DJ sets "as a way to make people more uncomfortable." It's probably not a coincidence that he appears on the album's sleeve looking a little like James Chance, hipster culture's orneriest antihero.

CMT Music Awards 2010

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In the wake of a devastating flood, which took lives, displaced thousands and left over 40 Tennessee counties with more than $1.5 billion in damage, Nashville is getting back to the basics. And that means getting back to the music. On June 10-13, tens of thousands will flock to the Music City for the CMA Music Fest, a four-day fest devoted to country's greatest fans. To help set the pace, CMT kicks off the festivities on June 9 with their annual CMT Music Awards.

Read all about the artists who are helping Nashville get back on its feet, plus check out the nominees for this year's CMT Music Awards. We also have more features for you to dig into including a '70s outlaw country-folk primer, a discussion on country rock and much more.


Toby Keith


Discover this year’s CMT Music Award nominees and help Nashville rebuild.
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jason aldean


Listen to all of this year’s CMT Music Award nominees.
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steven curtis chapman


See how country and Christian artists are pitching to get Nashville back on its feet.
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kris kristofferson


Check out Rhapsody’s take on the Outlaw Country-Folk movement of the early ‘70s.
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mason proffit


What do you get when you tear down and rebuild the country-rock canon? Rhapsody’s offers up a theory.
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Gay Pop


Best Albums of the Decade
Check out some of the best country albums the past decade had to offer.
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20100518_CMT_SG_nominees_575x225.jpgThe music of these and countless other country artists is yours to rock out to whenever and however you want with your Rhapsody subscription. Click here to sign up for a free trial and see what we’re all about.

On June 9th, when CMT hosts its annual Music Awards, the city of Nashville will become one big, wild party. Once again, the award ceremony will take place in downtown Nashville at the Bridgestone Arena (formerly the Sommet Center) with none other than the American bad-ass himself, Kid Rock, taking on hosting duties.

Toby Keith, the newly engaged Miranda Lambert, Lady Antebellum, Carrie Underwood and Keith Urban are all confirmed to appear that night.

But it's about more than just music. This year, if you download any of the nominated songs (we've playlisted a few of the nominees for you) at the Rhapsody Store, we will donate all the proceeds to CMT One Country's local partner, Hands On Nashville, which is handling all of the volunteers for the city's post-flood recovery and rebuilding efforts. There are many ways to chip in, but we can't think of a more fun, simple way to help Nashville get back on its feet.

Other awards shows have begun integrating fan voting in certain categories, but the CMT Music Awards was the first — and it is still the only show that is based entirely on fan votes. Vote for your favorite artist now at CMT through June 8th, and watch the magic happen live on June 9th.

Here are the 2010 nominees.


Legends in Exile

20100518_exile_on_main_street_575x225.jpgYou can rock out to The Stones whenever and however you want with your Rhapsody subscription. Click here to sign up for a free trial and see what we’re all about.

Exile on Main St. is often — really almost always — cited as the best rock 'n' roll album ever, of all time. When it appeared in 1972, The Stones were coming off the massive success of Sticky Fingers, which had been released and topped sales in both the U.K. and U.S. the year before. The double album crammed with blues, country, gospel and rock 'n' roll was initially panned by critics for such ridiculous ideas as being "too sprawling" and "lacking focus." Why a rock record is supposed to be focused is beyond us, but in addition to that, to many in 1972, The Stones were perceived as old (!) and past their prime. This is amazing since they are still releasing records and even touring despite being well into their 100s, or at least looking that way.

single-phile: Dynamic Duos

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 Last week, we talked about wonderfully weird collaborations, the kinds of duets that make you step back and go, "WTF?!" This week, we turn our attentions away from the unholy spawning of the likes of Lady Gaga and Michael Bolton or Timbaland and Miley Cyrus to focus instead on those matches made in musical heaven. Collaborations and cameos are an important part of pop music and a virtually integral one since the advent of hip-hop, which has advanced the model of hooks sung by hired soul-slinging guns who can give the track a bit more charts cache.

A duet can serve many purposes: It can provide the primary artist with cred (street or otherwise), offer either party a chance to reach a wider audience (and earn a bigger paycheck) or give a label a chance to showcase its stable a bit. Less cynically, it can also just give friends or mutual admirers an opportunity to hang out and possibly make some magic together. The charts are stocked with quite a few duets (and trios and more) right now, so on this edition of single-phile, we comb through them and evaluate the collaborating parties for their compatibility.

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The music of Kris Kristofferson and countless other outlaw country artists is yours to rock out to whenever and however you want with your Rhapsody subscription. Click here to sign up for a free trial and see what we’re all about.

Kris Kristofferson has long represented a convergence of the outlaw country of the early '70s, typified by Waylon Jennings and Willie Nelson, and a sort of country-folk he and John Prine (among others) became synonymous with in spite of the fact that their work was almost universally ignored radio-wise during that decade. In light of the veteran singer-songwriter's new release of demos from 1968 to 1972 (Please Don't Tell Me How the Story Ends: The Demos 1968-72 ), we've assembled a small collection of albums that both serve as an introduction to the two genres and well illustrate a handful of spots where they meet. There's even a small playlist for you to listen to while you read. A warning, though: if you've never heard Townes Van Zandt, well, get ready.


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The music of countless country and Christian stars is yours to enjoy whenever and however you want with your Rhapsody subscription. If you don't have one, click here to sign up for a free trial and see what we’re all about.

Flooding in the Nashville area on May 1 and 2, 2010, has claimed at least 30 lives, caused more than $1.5 billion in damage, displaced thousands, and left more than 40 middle Tennessee counties official disaster areas. The problems plaguing a waterlogged Music City have also affected the music community in a big way.

The Grand Ole Opry and Opryland Hotel were underwater, and the Schermerhorn Symphony had flood damage, including to its $2.5 million pipe organ. Downtown Nashville was also underwater up to 2nd Avenue as the Cumberland River overflowed its banks, threatening the honky-tonks and clubs on lower Broadway and the famed Ryman Auditorium, the original home of the Grand Ole Opry.

Remembering Lena Horne

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The music of Lena Horne is yours to enjoy whenever and however you want with your Rhapsody subscription. If you don't have one, click here to sign up for a free trial and see what we’re all about.

Lena Horne (1917 - 2010) was a solid jazz-based singer whose long, successful career spanned the swing era, the protest era, the classic rock era, the rap era and kept going well into her 80s. She survived into her 90s.

For most of her lifetime Horne was an iconic figure in 20th-century America. She broke down most of the racial barriers in popular entertainment — onstage, on the silver screen and on TV. That must have been a lonely place to occupy. While it is impossible to separate her career from the Civil Rights movement and much of the other drama that defined the 20th century, it says something about her talent that her music holds up on its own (compare her to, say, her friend Paul Robeson, who is taught more than actively listened to).


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Welcome to another edition of Classic Rock Crate Digger, a (near) weekly column wherein Rhapsody nerd Justin Farrar wanders the never-ending maze that is our catalog in search of classic rock's forgotten gems. If you're new 'round these parts, then also check out the Crate Digger's archives. And if you want to listen to all this music anytime, anywhere, you'll want to have a Rhapsody subscription. Sign up for a free trial to see what we're all about.

Since the Crate Digger is a hopelessly incorrigible music addict, some of my fondest childhood memories are of the hunting-down-the-jams variety. My first bona fide obsession, that thing called the British Invasion, hit me in the sixth grade. I can't recall particulars, but my conversion into an Anglophile feels like it happened overnight. I think it was a byproduct of writing a paper on The Beatles in Mrs. Pennock's music class that year. She was a little nerdy but really quite cool when I look back. She dug The Beach Boys and bought me ice cream after school once.

I was all about collecting cassettes back then. Of course, my interest in the British Invasion began with its first-tier bands: the Fab Four, the Stones, The Who and The Kinks. Seeing as how they’re all platinum-clad rock legends of the highest order, their respective discographies were more or less easy to track down.*

Q&A: David Guetta



Check out Rhapsody's exclusive interview with David Guetta. He talks about the making of "I Gotta Feeling" with the Black Eyed Peas (total party!), Oprah's 25,000-person flash mob (crazy!) and the resurgence of dance music in America (so exciting!).

Q&A: The Dirty Heads



Rhapsody sat down with Jared Watson and Dustin Bushnell from The Dirty Heads along with Rome Ramirez, singer for the recently re-incarnated Sublime with Rome, to talk about growing up in SoCal, the re-release of Any Port in a Storm and their collaboration on the track "Lay Me Down."
20100511_chely_wright_575x225.jpg The music of Chely Wright is yours to rock to whenever and however you want with your Rhapsody subscription. Click here to sign up for a free trial and see what we’re all about.

Chely Wright, as even people who never heard of her before know by now, came out as a lesbian to People magazine last week. And the first thing to point out is that, contrary to much clueless reportage since, this is not a case of a "major country artist rolling the dice on her career." Just the opposite. It's the case of a former minor star who had one No. 1 hit 12 years ago — and who hasn't hit the country Top 20 since 1999 or the Top 40 since 2004 — suddenly getting her name and picture in People, The New York Times, and everywhere else the same week she released both a new album and a book. If the announcement shocked some folks who had liked her soul-grooved signature song "Single White Female" in 1998, no big deal; they haven't been buying her last few indie-label records anyway. And country radio hasn't been playing them, either. But now, Wright's in the public spotlight like she never was before, even when she was scoring hits. Many fans — not necessarily country ones — will probably be interested in her for the first time, kind of like k.d. lang in 1992. In other words, there's no way that coming out could possibly hurt. And the timing is perfect.
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Mother’s Day Song List Contest - How to get started:

1.       1.       Please read the contest rules below.

2.       2.       Fill out the entry form at http://mothersday2010.questionpro.com to enter the contest.

3.       3.       Make sure to follow @Rhapsody and @MotoMobile on Twitter for updates and  announcements for the contest.


Good Luck!



RHAPSODY FACEBOOK MOTHER’S DAY SONG LIST CONTEST
("Promotion")


OFFICIAL RULES ("Rules") - 5/5/10 - Version 4

THIS PROMOTION IS OFFERED IN THE 50 UNITED STATES AND THE DISTRICT OF COLUMBIA (D.C.). VOID ELSEWHERE AND WHEREVER PROHIBITED BY LAW. THIS PROMOTION SHALL BE CONSTRUED AND EVALUATED IN ACCORDANCE WITH ALL APPLICABLE LAWS AND REGULATIONS. THIS PROMOTION IS OPEN SOLELY TO PERSONS WHO ARE LEGAL RESIDENTS OF, AND CURRENTLY RESIDING IN, ONE OF THE 50 UNITED STATES OR D.C., IN ORDER TO ENTER, YOU MUST BE 18 YEARS OF AGE OR OLDER (19 OR OLDER IF A RESIDENT OF ALABAMA OR NEBRASKA). ALL PARTICIPANTS IN THE PROMOTION MUST HAVE AN ACTIVE AND VALID EMAIL ADDRESS AT TIME OF ENTRY AND MUST BE A FOLLOWER OF BOTH RHAPSODY AND MOTOMOBILE ON TWITTER. BY ENTERING, YOU REPRESENT THAT YOU HAVE READ THE OFFICIAL RULES AND ANY APPLICABLE WEB SITE POLICIES AND/OR TERMS OF USE, AND THAT YOU AGREE TO BE BOUND BY ALL OF THEM.

NO PURCHASE NECESSARY TO ENTER OR WIN.
A PURCHASE WILL NOT INCREASE AN ENTRANT'S CHANCES OF WINNING A PRIZE.

Rhapsody International Inc. ("Sponsor") is offering this Promotion ("Promotion"). This Promotion is in no way sponsored, endorsed or administered by, or associated with Facebook. David Kessler & Associates, Inc. ("Administrator") is administering the operation of, and prize fulfillment under, this Promotion. Sponsor and Administrator shall be referred to collectively as the "Promotion Entities".

1. This Promotion is open solely to legal residents of the 50 United States and the District of Columbia ("D.C.") who (a) presently are located and living in one of the 50 United States or D.C. , (b) are 18 years of age or older as of the time of entry (19 or older if a resident of Alabama or Nebraska), (c) have an active and valid e-mail address at time of entry; and (d) are followers of both Rhapsody and Motomobile on Twitter. The Promotion is void outside the outside the 50 United States and D.C. and wherever prohibited by law. Employees of Promotion Entities, their respective parent companies, affiliates, subsidiaries, agents, promotion, marketing and advertising agencies, and certain other companies with which Sponsor does business and members of their immediate families (defined for these purposes as including spouses, biological, adoptive or step-parents, children, siblings, grandparents, grandchildren, aunts and uncles, and each of their respective spouses, regardless of whether living in the same household) or households (regardless of whether related) of any of the above persons, are NOT eligible to participate in this Promotion or to receive the prize hereunder. Proof of eligibility may be required.

2. This Promotion consists of a "Mother’s Day Song List Contest" (also referred to herein as "the Promotion") as described more fully in these Official Rules. The Promotion begins on Wednesday, May 5, 2010 at 12:010:01pm Pacific Time ("PT") and ends on Sunday, May 9, 2010 at 11:59:59 pm PT ("Promotion Period"). Proof of entry submission or participation in the Promotion will not be deemed proof of receipt of such entry by Sponsor or Administrator unless independently verified by Sponsor or Administrator. Participants in this Promotion are subject to, and must comply with, this Promotion's Official Rules, and the instructions on the Promotion's Web site and all terms of use and policies of the Sponsor's Web site. Please read all such Rules, terms of use, instructions and policies carefully before participating in the Promotion.

3. Two (2) ways to enter: (a) You may enter the Promotion through the Rhapsody Mother’s Day Song List Contest link ("link") on the Facebook platform. You can also find the link at http://mothersday2010.questionpro.com. Once you find the entry form you will have to add a song list you’ve created yourself with 5 songs for your mother that you believe represent the “spirit of Mother’s Day.” (See judging criteria in Rule 5, below). You need only list the titles of each song, but please be sure the titles are accurate; inaccurate song titles may be disqualified. Follow all on-screen instructions to register for and participate in the Promotion. (b) Alternative method of entry: You may enter the Promotion by sending an email to mothersdaypromo@rhapsody.com with your first name, last name, home address (no P.O. Box numbers), apt./suite, city, state, zip code, age, email address, home phone number, and mobile phone number (if applicable) along with your five-song list. You may enter as many times as you wish during the Promotion Period via either entry method provided each entry song list is different and submitted separately in accordance with these Rules. All entries must be received by May 9, 2010 at 11:59:59 pm PT.

4. Credit for participation in the Promotion will be given to the authorized account holder of the email account used to participate in the Contest, provided that such person otherwise meets each of the eligibility requirements of these Rules. "Authorized account holder" with respect to email means the natural person who was assigned the e-mail address by an internet access provider, service provider or other online organization that is responsible for assigning e-mail addresses for the domain associated with the submitted e-mail address. "Authorized account holder" with respect to Facebook means the natural person who registered for the account used to enter the Contest. Potential winner may be required to provide proof to Sponsor that he/she is the authorized account holder of the applicable account. Promotion Entities hereby specifically reserve the right to invalidate any entries that are made through any robotic, automatic, mechanical, programmed or similar entry duplication method or through fraud or in any manner that Sponsor or Administrator deem to be in violation of these Rules, and to disqualify the individual(s) using such a method from participating further in this Promotion and/or receiving a prize hereunder. By entering, each participant in this Promotion, regardless of entry method used to participate, hereby agrees to irrevocably release, indemnify and hold harmless the Promotion Entities, Motorola, Facebook, each of their respective parent companies, affiliates, subsidiaries, advertising, marketing and promotion agencies, and the officers, directors, employees, designees and agents of each of the foregoing (collectively, the "Released Parties"), from and against any and all claims, actions, causes of action, demands, judgments, liability, injuries, damages, losses, costs and expenses (collectively, "Claims") arising out of or relating to, directly or indirectly, in whole or in part, any of the following: (a) participation of participant in this Promotion ; (b) the acceptance, possession or use/misuse of any prize by participant; (c) electronic transmissions or entries that are lost, late, stolen, incomplete, illegible, indecipherable, inaccurate, damaged, garbled, destroyed, misdirected, or not received or processed by Sponsor or Administrator for any reason; (d) any problems or technical malfunctions, errors, omissions, interruptions, deletions, defects, delays in operation or transmission, communication failures or human error that may occur in the transmission, receipt or processing of any entry or winner notification, or the destruction of or unauthorized access to, or alteration of, any entry or winner notice; (e) failed or unavailable hardware, network, software or telephone transmissions, damage to participants' or any person's computer and/or its contents, or causes beyond Sponsor's reasonable control that may jeopardize the administration, security, fairness, integrity, safety or proper conduct of this Promotion; (f) any entry made in a manner that is not expressly allowed under these Rules; (g) incorrect or inaccurate information regarding entry, whether caused by participants or by any of the equipment or programming associated with or utilized in this Promotion; (h) any typographical or other error of any kind in any printing, advertising or other materials related to this Promotion, in the administration or execution of this Promotion, or in the announcement of prize/prize winner; or (i) cheating or fraud by any participant. SOME OF THE ABOVE LIMITATIONS OR EXCLUSIONS MAY NOT APPLY TO YOU, AS SOME JURISDICTIONS MAY NOT ALLOW SOME OF THE LIMITATIONS OR EXCLUSIONS OF LIABILITY LISTED ABOVE. NOTHING IN THESE RULES SEEKS TO LIMIT OR EXCLUDE LIABILITY WHERE NOT PERMISSIBLE UNDER LOCAL LAW. CHECK YOUR LOCAL LAWS FOR ANY RESTRICTIONS OR PROHIBITIONS REGARDING SUCH LIMITATIONS AND EXCLUSIONS. If for any reason the Promotion cannot be executed as planned, including but not limited to infection by computer virus, bugs, tampering, unauthorized intervention, fraud, technical failures, or any other cause(s) beyond the control of Sponsor that may corrupt or affect the security, administration, fairness, integrity, safety or proper conduct of this Promotion, or if this Promotion is compromised or becomes technically corrupted in any way, electronically or otherwise, Sponsor hereby specifically reserves the right, exercisable at any time by Sponsor in its sole discretion or by Administrator, on behalf of Sponsor, to terminate, suspend or modify the Promotion. If the Promotion is terminated before the scheduled conclusion date of the Promotion Period as stated herein, then the judges will select the potential Grand Prize (as defined below) winner on the basis of the criteria stated herein from among all eligible, non-suspect entries received as of the date and time of such termination. Promotion Entities hereby reserve the right, exercisable at any time in their sole discretion (and without limitation of any and all other legal and/or equitable rights and remedies that may be available), to disqualify from this Promotion and to prosecute any individual(s) who is (are) found to be tampering with or attempting to tamper with the Promotion process or any part of this Promotion. CAUTION: ANY ATTEMPT BY ANY PERSON(S) DELIBERATELY TO DAMAGE ANY WEB SITE OR OTHERWISE TO CORRUPT THE PROMOTION OR TO UNDERMINE THE LEGITIMATE OPERATION OF THE PROMOTION MAY BE A VIOLATION OF CRIMINAL AND CIVIL LAWS. SHOULD ANY SUCH ATTEMPT BE MADE, SPONSOR HEREBY SPECIFICALLY RESERVES THE RIGHT TO DISQUALIFY (FROM THIS PROMOTION), PROSECUTE AND SEEK DAMAGES FROM AND AGAINST ANY SUCH PERSON(S) TO THE FULLEST EXTENT PERMITTED BY APPLICABLE LAW.

5. Song lists must contain five (5) songs and will be judged on the following basis: 50% creativity and 50% appropriateness of showing the spirit of Mother’s Day. On or about May19, 2010, in Seattle, WA, qualified judges will select the winning song list from among all valid entries received. In the event of a tie, the tied entry with the highest score from the judges in the appropriateness to showing the spirit of Mother’s Day criteria will be deemed the winner.

6. Only one (1) Grand Prize will be awarded in this Promotion. The Grand Prize consists of a DROID by Motorola, a $400 check for cellular service, and a one year Rhapsody Premiere subscription. Approximate Retail Value (ARV) of prize is $1,020. No prize transfer, assignment, redemption for cash or substitution of any kind will be allowed, except as provided herein. Sponsor may substitute the prize (or any component thereof) with a different prize (or prize component) of equal or greater value, if the advertised prize (or any component thereof) becomes unavailable. All applicable income taxes in connection with the prize awarded in this Promotion are the sole and full responsibility of the prize winner, who will be issued an IRS Form 1099 for the value of the prize. All other details of prize that are not set forth specifically above shall be determined at Sponsor's sole discretion.

7. Administrator is independent of Sponsor, and Administrator's decisions in all matters relating to this Promotion shall be final, binding and non-appealable in all respects. The potential prize winner in this Promotion must comply fully with each applicable provision of these Official Rules in order to be eligible to receive his/her prize. Administrator will attempt to notify potential prize winner of his/her selection by email at the email address supplied at the time of initial entry, by phone, by postal mail and/or through an announcement on the Rhapsody Facebook and/or Twitter pages within approximately ten (10) days after the date of the above-described drawing. If: (a) the potential prize winner is found to be ineligible for any reason; or (b) if the potential prize winner fails to respond to any prize notification from Administrator within two weeks of the date of such notification; or (c) the potential prize winner fails to comply with each applicable provision of these Official Rules; or (d) the notification to the potential prize winner is returned as undeliverable; or (e) the potential prize winner cannot accept his/her prize in accordance with the provisions of these Rules, then (i) the potential prize winner will forfeit all rights to receive the prize; (ii) Promotion Entities shall be relieved of any and all further obligations or liability to the potential prize winner; and (iii) Promotion Entities shall have the right (but not the obligation) to instruct the judges to select an alternate potential prize winner from among all remaining entries on the basis of the criteria stated herein. The potential Grand Prize winner shall be required to complete, sign and return an Affidavit of Eligibility, Liability Release, and (where legal) a Publicity Release, within seven (7) days after receipt of same. If the potential Grand Prize winner fails to comply with this condition, then (a) the potential Grand Prize winner will forfeit all rights to receive the Grand Prize; (b) Promotion Entities shall be relieved of any and all further obligations or liability to the potential Grand Prize winner; and (c) Promotion Entities shall have the right (but not the obligation) to instruct the judges to select an alternate potential prize winner from among all remaining entries on the basis of the criteria stated herein.

8. By participating, each participant in this Promotion agrees that the Released Parties shall have no liability whatsoever for, and shall be indemnified, released and held harmless from and against, any injuries, losses or damages of any kind to persons or property, including without limitation death, sustained, in whole or in part, directly or indirectly, in connection with or resulting from acceptance, possession or use/misuse of the prize or any component thereof (if applicable), or participation in this Promotion or participation in any Promotion -related or prize-related activities, and further acknowledge that said parties, to the extent allowed by law, have neither made, nor are in any manner responsible or liable for, any warranty, representation or guarantee, express or implied, in fact or in law, relative to the prize, including but not limited to its quality, mechanical condition or fitness for a particular purpose. As a condition of entering, participants agree, to the extent allowed by law, that (1) under no circumstances will participant be permitted to obtain awards for, and participant hereby waives, all rights to claim punitive, indirect, incidental, consequential or any other damages, other than for actual out-of-pocket expenses; (2) the Promotion will be governed by the laws of the State of Washington, without regard to conflicts of laws principles, and all causes of action arising out of or connected with this Promotion, or the prize awarded, shall be resolved individually, without resort to any form of class action and shall be brought in a court of competent jurisdiction in the State of Washington applying Washington law; and (3) any and all claims, judgments and awards shall be limited to actual out-of-pocket costs incurred, including costs associated with entering the Promotion, but in no event attorney's fees.

9. Subject to Sponsor's privacy policy at http://www.rhapsody.com/privacy_policy. The potential prize winner in this Promotion (unless a resident of TN) hereby irrevocably agrees that as a condition of receiving the prize, the Promotion Entities may use the winner's name, city and state of residence, likeness (photographic or simulated) and/or voice for any and all advertising, marketing, promotion, public relations or other business or trade purposes whatsoever, in any and all media (whether now known or hereafter devised) throughout the world, in perpetuity, without any restrictions, further notice, approval, or further payment or compensation of any kind or amount. By participating in this Promotion, each entrant hereby irrevocably agrees to be bound by each provision of these Official Rules and each decision of the Administrator.

10. For the name of the Grand Prize winner (available after prize is awarded), send a self-addressed, stamped #10 size envelope, postmarked by June 19, 2010, to Rhapsody Facebook Mother’s Day Song List Contest, Rhapsody International, Inc., 1420 5th Ave, Suite #1500, Seattle, WA 98101. Winner information will be mailed after the winner has been confirmed.

11. Any questions, comments or complaints regarding this Promotion shall be submitted to the Sponsor or Administrator at the appropriate address listed below. Do not direct communications of any kind regarding this Promotion to Facebook.

Sponsor: This Promotion is sponsored solely by Rhapsody International, Inc., 1420 5th Ave, Suite #1500, Seattle, WA 98101.

Administrator: David Kessler & Associates, Inc., 391 Castlewood Lane, Buffalo Grove, IL 60089.

All trademarks used herein and in the Promotion are the property of their respective owners and are used for the benefit of those owners.

David Guetta x Daft Punk

VMA_OTR_560x60.jpg


On the Record is a video series where rock stars gush about their favorite records -- in exactly 45 seconds. Click above to watch David Guetta talk about his favorite album of all time.

Rhapsody subscribers can listen to One Love and millions of other albums whenever and however they want. Click here to sign up for a free Rhapsody trial subscription and see what we're all about.


ARTIST:
David Guetta

RECORD:
Homework


More videos you might like:.






blog_runaways_flick_575x225.jpg Welcome to another edition of Classic Rock Crate Digger, a (near) weekly column wherein Rhapsody nerd Justin Farrar wanders the never-ending maze that is our catalog in search of classic rock's forgotten gems. If you're new 'round these parts, then also check out the Crate Digger's archives.

So, this new Runaways flick. The Crate Digger recently saw it and had a swell time. To begin with, I got to see it at a small, art-house cinema that offers a top-shelf selection of American craft beers. Sipping finely brewed suds while listening to “Ch-Ch-Ch-Ch Cherry Bomb” at top volume was a small but unforgettable slice of heaven.

blog_opposites_575x225.jpg The music of Slash, Celine Dion and every other artist mentioned here is yours to rock out to whenever and however you want with your Rhapsody subscription. If you don't have one, click here to sign up for a free trial and see what we’re all about.

One takes two steps forward, the other takes two steps back. You know the drill. When two very different celebrities collide, it can either be pure genius or a cynical, grab-at-the-charts nightmare. In honor of two recent "what were they thinking" collabos, we evaluate pop's strangest pairings.

Slash + Fergie
The Track: "Beautiful Dangerous"
The Setup: For his solo debut (we’re pretending that the Snake Pit never existed, as should you), Guns N’ Roses sideman Slash taps Black Eyed Peas diva Fergie for a collaboration.
The Potential: The most party-starting, ass-shaking, snake-charming, whiskey-slogging, kick-out-the-jams, electro-metal, orgiastic, sleazetastic anthem of the summer. Think "Sweet Child O' My Humps," "November Pow," "Hollaback City." This is going to rock, people.
The Payoff: Eh ... middling crossover jam that somehow completely misses the mark. We’d still check for a Will.I.AM and Axl collab, though.
Charlotte2.jpgOne of the perks of working here (and, incidentally, of being a Rhapsody subscriber) is that when you're getting pumped up to go to a concert, you can fire up Rhapsody and listen to an artist's entire catalog beforehand. And then afterward, you can fire it up again and return to the songs that blew you away in concert.

Through a series of unfortunate events my concert-going has been curtailed lately, so recently I was pleased to have a weekend made up of three nights of music madness.

Friday, I saw The Doors documentary When You're Strange.

Saturday, I caught Charlotte Gainsbourg and A.M.

Sunday, I went to see the Punch Brothers as part of the SFJAZZ festival. 



On the Record: Artist on Artist

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