Recently in 2010 VMA Category



Check out artists Paul Wall, Jason DeRulo and LMFAO answer your questions from The Box.

For playlists, radio, artist interviews and updated Rhapsody dispatches from the 2010 MTV Video Music Awards click HERE. Watch previous episodes of "The Box vs...":





Video Interview: Deadmau5

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VMA House Artist Deadmau5 stopped by on the white carpet to talk DJ Hero (really cool!), favorite VMA moment (never watched them!) and his progress on the next album (too much touring!).

For playlists, radio, artist interviews and updated Rhapsody dispatches from the 2010 MTV Video Music Awards click HERE.

Video Interview: Dan Black

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VMA double nominee Dan Black stopped by on the white carpet to talk about his first VMA experience, Biggie Smalls and space aliens. Check it.

For playlists, radio, artist interviews and updated Rhapsody dispatches from the 2010 MTV Video Music Awards click HERE.
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Girl-on-girl makeouts! Aerial assaults! Drunken catfights! Jergen's lotion? The possibilities are endless here at the 2010 VMA's. Check out the video above to hear what hijinks artists like David Banner, Paul Wall, Florence Welch , Jason DeRulo, Natasha Bedingfield and LMFAO are hoping to see to during tonight's festivities. Check it.

For playlists, radio, artist interviews and updated Rhapsody dispatches from the 2010 MTV Video Music Awards click HERE.
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With those damn weirdos from LMFAO mouthing off and causing a ruckus mere feet away, VMA double nominee Jason DeRulo stopped by to discuss his whirlwind 2010 and men's fashion with Rhapsody's Garrett "James Belushi's Body Double" Kamps. Check it.

For playlists, radio, artist interviews and updated Rhapsody dispatches from the 2010 MTV Video Music Awards click HERE.
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Braving a chaotic sea of pop stars (Jason DeRulo), hip-hop titans (David Banner), and ice specialists (Paul Wall's uppity side-kick), Florence Welch of three-time VMA nominated act Florence + the Machine stopped by to chat with Rhapsody's Garrett "The Hulk" Kamps. Check out our interview with Flossy, as she's known to family members, and find out how one of indie rock's sharpest new singers feels to be included among such diamond-studded company. When you're done, click over to listen to Lungs which includes the song "Dog Days are Over" - nominated for Video of the Year.

For playlists, radio, artist interviews and updated Rhapsody dispatches from the 2010 MTV Video Music Awards click HERE.

VMA Smackdown

20100831--VMA-smackdown-560x225.jpg Quite a lot has changed about the Video Music Awards (not to mention their host network. And the medium they celebrate) in the 16 years since they debuted: the nature of the beast, the meaning, the cultural significance, the level of excitement (and perhaps more recently, apathy) the viewing public feels about the annual shindig. One constant: pop stars make for some mighty fine entertainment (sometimes especially when they are not exactly trying to put on a show). In honor of this year's impending VMAs (and in the hopes of inspiring someone to do something as nutso, if not quite as mean, as Kanye's accosting of Taylor Swift last year), we decided to pit some of 2010's nominees against the contenders of earlier years. So get ready to rumble and keep reading to see who comes out on top in our ULTIMATE! VMA! SMACKDOWN!

Camp Rock Album Guide

20100824-katy-perry-SG-camp-rock-560x225.jpg Excessive. Over the top. Larger than life. Camp is almost impossible to define without delving into its propensity for blowing culture up into massive, magnificent, drag-queenly proportions. But camp is about more than just overblown parody — or, rather, it hinges on the notion that the very act of spectacle itself can have significance. Camp can often be a strategy of social critique. Susan Sontag famously defined camp as a "sensibility that converts the serious into the frivolous" — in other words, a tactic of taking some of the wind out of the sails of culture that takes itself a bit too seriously. But camp isn't all snark and sass either: it can also be a loving homage to something very near and dear to the camper's heart, an example of teasing as loving. What camp does is make something so big and so silly that its flaws can't be hidden, but it also can't help but look fabulous.

In music, camp can encompass an exaggerated tribute act, immersion in the stylistic and structural particulars of a particular genre or just over-the-top, gooey-centered pop goodness. Campy aesthetics come in and out of fashion in music: the disco era, for instance? High camp. But grunge, not so much (though it's itching for a camp parody). And present-day pop is so steeped in it that its fingers (fiercely manicured, of course) are all pruney: Gaga is the most obvious example, of course, but every diva from Beyonce to Shakira gets into the game (and cases could be made for the likes of Fall Out Boy and 3OH!3, too). And then there's Katy Perry. Her songs themselves aren't always so shticky, though there are exceptions to that rule: "Ur So Gay" from her first album, for instance, and the innuendo-laden sass attack "Peacock" from her latest. But the girl is high drama, and she works very hard in both her videos and her general persona to create a kitschy aesthetic so excessively candy-coated, it's guaranteed to necessitate filler — er, fillings. Perry's a little too self-serious (and a lot too mainstream) to truly be camp, which is historically a territory of the margins and the underground (not to mention, uh, the actually gay, as opposed to gays-for-a-day pink-face poseurs like Perry). But we've assembled this album guide to the girl who kissed girls' fabulous foremothers.

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