February 2009 Archives

U2 Survival Guide

survival_guide_header.jpg U2: A BAND BEYOND THE HORIZON
Over the years, few rock acts have navigated the shifting seas of pop culture more adroitly and adventurously than U2. Dublin's finest arrived on the scene with 1980's searing document of protest, Boy, and spent the next three decades maturing into one of the most relevant rock 'n' roll acts of their generation. The band's big plans are obvious in every note of its latest, No Line on the Horizon, a spacious set of songs that was recorded in a home studio in Fez, Morocco. Because this group has never embarked on small endeavors, we followed suit by building a guide to all things U2, our first in a series of Rhapsody Survival Guides. Start by cranking up the new album, then work your way through the band's classic catalog, or cut right to the chase and skip to our playlist of essential U2 tunes.

PLAY
Play No Line On The Horizon
Read album review

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This day is call'd [Rhapsody Rocks Austin 2009].
He that outlives this day, and comes safe home,
Will stand a tip-toe when this day is nam'd,
And rouse him at the name of [Rhapsody Rocks Austin 2009].
He that shall live this day, and see old age,
Will yearly on the vigil feast his neighbours,
And say 'To-morrow is [the anniversary of Rhapsody Rocks Austin 2009].'
Then will he strip his sleeve and show his scars,
And say 'These wounds I had [at Rhapsody Rocks Austin 2009].'
Old men forget; yet all shall be forgot,
But he'll remember, with advantages,
What feats he did that day. Then shall our names,
Familiar in his mouth as household words --
[…Trail of Dead], [Glasvegas],
[School of Seven Bells], [The Vivian Girls ] and [DJ $mall ¢hange] --
Be in their flowing cups freshly rememb'red.
This story shall the good man teach his son;
And [the anniversary of Rhapsody Rocks Austin 2009] shall ne'er go by,
From this day to the ending of the world,
But we in it shall be remembered --
We few, we happy few, we band of brothers;
For he to-day that sheds his blood with me
Shall be my brother; be he ne'er so vile,
This day shall gentle his condition;
And gentlemen in England now-a-bed
Shall think themselves accurs'd they were not here,
And hold their manhoods cheap whiles any speaks
That [rocked] with us [at Rhapsody Rocks Austin 2009].

Who: ...Trail of Dead, Glasvegas, School of Seven Bells, The Vivian Girls. Inter-set jammers provided by DJ $mall ¢hange. Additional surprises TBD.
What: Rhapsody Rocks Austin 2009
Where: @ The Mohawk, 912 Red River
When: Noon. Thursday. March 19th.
How: Event is free, but you need to RSVP. Stay tuned to this space or hit us up on Twitter (@Rhapsody) for RSVP link and to enter to win VIP passes.
Why: Because we like you. Also, free booze.


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Song: Love Story
Album: Fearless
Artist: Taylor Swift

Date: February 26, 2009

The country-pop sweetheart has taken over the charts with her sweet candor and down-home charm. Get Taylor Swift’s uber-hit “Love Story” -- for free!





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Lamb of God
Wrath

On their fifth studio album, American death metal's darlings take their signature new wave sound to another level. Consistently boasting an angry brew of confrontational lyrics venomously gurgled by frontman Randy Blythe overtop urgent, brooding guitars and technically precise, groove-oriented drums, Lamb of God have become an easy-to-recognize brand. And without abandoning the schematics that have made them who they are, Wrath sees some song structure experimentation, moving away from the verse-hook-verse standard while tightening their chops and incorporating some outside influences.

It's no secret these guys are huge Gojira fans, and they haven't gone full-on prog or anything like that, but the unbridled galloping speed and incessant violent chugs of former arrangements are hard to find on this record, making it oddly angrier. Like, Blythe isn't just pissed and letting you know it: he's at a Michael Myers level of hate, where he's slowly instilling the fear of god with his quiet confidence and methodical movement. That's what songs like "Fake Messiah" and "Broken Hands" do sonically. But not just because of Blythe -- because of the raw power, massive riffing and technical progression of the whole band.

If ever there were a chart-topping metal act since the days of Slayer and Pantera, this is it. If you're a metalhead, you're pretty familiar with the Virginia crew, and if you're not, you definitely know their name. With 2006's Sacrament landing in the Billboard top 10 and garnering a Grammy nod in 2007, big things are downright expected at this point, and as this band has only been growing and building since their start in 1990, it's nice to see that on Wrath they haven't choked under the pressure. From the understated intro of precise musicianship to powerful miscreants "Set to Fail" and "Everything to Nothing," Wrath has raised the bar of American death metal and emerges as one of the best metal records so far this year.

SXSW_rhappy_hour.jpg And so like the primeval instinct that sends the caterpillar to the chrysalis and the obstreperous goose south on wing in autumn, the Music Industry cannot drown out the siren call of Austin, Texas, come March, and thus makes its preparations to sally forth, throwing together a duffel bag filled with Maalox chewables, freshly printed business cards and snap-button cowboy shirts -- the bare essentials for a journey to the South By Southwest Music And Media Conference (SXSW). Ah, the wonders of nature.

Once upon a time, SXSW was a showcase for small time bands to score a bit of media attention and inch up the ladder to fame, but, over the years, it has blossomed into a booze-and-brisket fueled festival of big names, industry schmoozing and corporate-sponsored freebies (because who doesn't need a Scion beer cozy?) Of course, no one can navigate this delightful train wreck better than us, and, not to toot our own horn, but it's the Rhapsody Rocks Austin event that routinely surfaces as the creme de la creme of any festival goers' itinerary. Why? Well, its not merely the free booze and bands. Everyone knows that old game. We're the best because we actually put on a good show. A show people talk about. A show that, not unlike our fine service, has no hitch. No guest list, no "let me call my friend who knows a guy." All you need do is RSVP, which we'll be telling you more about in this here space in the days to come. 

And speaking of news, we're downright giddy about our line-up this year, which we're proud to announce includes the Vivian Girls and School Of Seven Bells. And as psyched as we are to see these guys play, we nearly wet ourselves about the headliners, which we will be relaying to you on Le Blog on Thursday. If Twitter's your bag, you can keep up with our SXSW goings on and even score VIP passes there: @Rhapsody. So stay tuned, and rock on. It's going to be another ridiculous time. 
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Song: Just Dance featuring Colby O'Donis
Album: The Fame
Artist:
Lady GaGa
Date: February 24, 2009

Sleek, sexy and sizzling its way up the charts, “Just Dance” has helped make Lady GaGa a force in the pop world. Get the uber-glam hit here -- for free!

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Leaping Listards

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So even though there's no February 29 this year, this would-be leap-week seemed a perfect occasion to offer a playlist devoted to songs about jumping -- such a great topic that entire genres of music (jump blues, hip-hop, New Orleans bounce) have been devoted to it. Of course, it would be really embarrassing to write a song about jumping where the music itself did not, in fact, jump. You'd never be able to live it down (and up and down again)!
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"I'm certainly not a one-dimensional rock guy," explains a relaxed, down-to-earth Duff McKagan. "I grew up listening to Sly and the Family Stone, Led Zeppelin, Jimi Hendrix, the Stones, James King. And then punk rock came when I was 14 years old, and it was perfect -- it was my music. But," he laughs, "I also listened to a hell of a lot of Prince."

McKagan played bass in one of the most prolific rock bands to come off the Sunset Strip (ahem, Guns N' Roses) and one of the highest-profile rock supergroups ever (Velvet Revolver), in addition to collaborating with many punk musicians on fleeting side projects and cover bands over the years. He's now back again with alt-metallers Loaded, and we caught up with the legend on the set of That Metal Show and got the eccentric soundtrack to his pre-show, backstage antics.

Read what he had to say about each song he picked, and listen to his full playlist after the jump.
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Daft Punk swept the 2009 Grammy Awards' electronic-music categories, taking home Best Dance Recording for "Harder Better Faster Stronger" and Best Electronic/Dance Album for Alive 2007. True, that's only two awards -- but still, it's pretty good for a couple of robots. We salute our favorite French cyborgs, but we'd also like to tip our chapeaux to all their flesh-and-blood countrymen that have made their country's electronic music scene so magnifique. A few of them (Justice, Phoenix, Mr. Oizo) will be familiar names, but we can think of a few (electro-hypnotist Danton Eeprom, loveable house-music impurists dOP, disco dark horse Black Devil) who deserve far greater accolades. (And any Daft Punk fan that doesn't know Motorbass owes it to herself to drop what she's doing, right now, and listen to 1996's Pansoul -- one of the keystones of French "filter house," and arguably the best thing that Philippe Zdar and Etienne de Crécy have ever done.) Surveying filter disco, deep house, minimal techno, experiments in Afrobeat and more, the set is the perfect primer to both the grand thoroughfares and hidden alleys of French dance music. Take a listen to selected tracks below, and click on over to Playlist Central for the whole set.
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For black history month, we compiled a playlist full of music that helped shape, energize, heal and propel a people forward, beginning with Louis Armstrong's tremendously influential "Black and Blue" and moving on to legendary performances by Billie Holiday, Nina Simone, Coletrane, Sam Cooke and Sly and the Family Stone. You can stream these tunes in the player below, or visit the playlist page on Rhapsody.com.



Music For Moving Day

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So after 11 years, I'm leaving New York City for Austin next week -- purging my shelves (though not as much as I should: where did all this stuff come from anyway?), begging for empty boxes at neighborhood liquor stores, learning that a roll of brown packing tape only goes so far. We've all been there, and so have the songs on the playlist below. One of rock 'n' roll's (and America's) great themes has always been the idea that where you aren't is better than where you are, that there's a better life somewhere around the corner: Usually to the west -- unless you've been there already, and now that midnight train's taking you back to Georgia.

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Song: O...Saya
Album: Slumdog Millionaire
Artist:
M.I/A. and A.R. Rahman
Date: February 20, 2009

Get the Oscar-nominated song from Slumdog Millionaire, featuring M.I.A.
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Rhapsody Reviews: Vetiver

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Vetiver
Tight Knit

On previous records Vetiver's Andy Cabic was a freak-folkie who obviously owns a fat stack of awesome albums -- not bad, but not great either. With the release of Tight Knit, however, the dude is no longer a talented collector-nerd. He's an artist. This is profound landscape music, a misty coastal piedmont thoughtfully carved from the singer-songwriter's twin loves: vintage British folk and West Coast soft rock. Everything here locks together perfectly, from the elegant compositions to Cabic's phantom whisper to his band's patient gait.

I entertain this theory that Vetiver's recent collaborations with Gary Louris were critical to Tight Knit's success. As his backing band for both 2008's Vagabonds album and the subsequent tour, Vetiver had to learn 25 to 30 of the ex-Jayhawks' songs. This did two things: 1) teach Cabic the nuts and bolts of songwriting as craft (think a young Hunter S. retyping The Great Gatsby) and 2) helped transform his group from a loose recording project into a real-deal touring act. It's kind of like a carpenter who has graduated from apprentice to journeyman: Vetiver now builds better, and more meaningful, folk music.

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Song: You Found Me
Album: The Fray
Artist: The Fray
Date: February 19, 2009

The Fray are back with more poignant piano pop -- get their latest heart-tugging single here.
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401K in the dumps? Bank foreclose on your house? Heck, did your bank fail altogether? Depressing times call for depressing albums, for sad songs to keep you company when rain drops are falling on your head. From country to soul, indie rock to hip-hop, the following records won't erase your blues, but they may provide reassurance that at least you're not alone in having them.

Continue reading The Most Depressing Albums of All Time
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Song: Crack a Bottle
Album: Crack a Bottle
Artist: Eminem
Date: February 18, 2009

Shady's back. And he brought some friends. His old cohorts Dre and 50 help Em get his Relapse started with his first new single in two years.

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Filipino folk musician Grace Nono.

SoundTreks: A regular feature on the music the other 97 percent of the globe is listening to.

The Philippines is all too often epically ignored by the world music industry. The island nation's snubbing is in large part a result of twin colonial legacies. First, there's the imperialist notion (perpetuated by more than 400 years of Spanish, American and Japanese colonialists) that the Philippines has "no culture" (whatever that means). Second, there's the truth: the more than 7,000 islands that make up the Philippine archipelago are actually host to more than 180 ethnic and language groups. These groups were lumped together by colonizers who typically paid little attention to the myriad distinctive precolonial cultures or the creative ways Filipinos have negotiated outside influences.

Enter Grace Nono -- musician, composer, producer, label owner, activist and champion of diverse Filipino cultural practices, including music, art, theater, and healing and spiritual traditions. Nono got her start as a much-heralded solo artist, carving a niche for herself in the Philippines' alt-rock scene with her neo-folk-pop in the 1990s. Nono's music is dizzyingly wide-ranging and often just slightly avant-garde, but the constant is her artistic vision: the combination of indigenous folk melodies and rhythms with global pop aesthetics. Since her critically lauded debut, Tao Music, in 1992, Nono's solo output has slowed down as she has diverted her focus to other projects. Her two most recent albums, however, continue to showcase her overlapping visions of innovation and tradition.

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Song: Top of the World
Album: Top of the World
Artist: The Pussycat Dolls
Date: February 17, 2009

The Pussycat Dolls' tune about escaping life's pressures comes with its own implied antidote: partying all night long, making love and dancing the night away.
 





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Song: Love Hurts
Album: Hair of the Dog
Artist: Nazareth
Date: February 13, 2009

Because Feb. 14 is the day for lovers, we're sending this classically discontent Nazareth ballad to comfort the scorned. And he's right: love is like a flame that burns you when it's hot.







For Episode 5 of Rock-Star Guide to the Galaxy, we hooked up with Bay Area producer and emcee Jason Valerio, aka Trackademicks. As part of the Honor Roll and Fool's Gold Records crew, he's produced cuts for J*Davey, Lyrics Born, Mistah F.A.B.and E-40.

We tracked Track down in Oakland, Calif., where he gave us a tour of his studio. We spent the rest of the day learning the best spots to pick up records, new kicks, ceviche tacos and some of the best Mojitos the East Bay has to offer.

Watch the video, get schooled in Trackademia and check out exclusive premiere of Enjoy What You / Topsidin with remixes from label-mates Flosstradamus and Sammy Bananas.

Additional Installments of Rock-Star Guide to the Galaxy
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Song: Single Ladies (Put a Ring On It)
Album: I Am...Sasha Fierce
Artist: Beyonce
Date: February 12, 2009

Beyonce's sage advice goes out to all the single ladies. And, since Saturday is V-Day, who knows, you might even get a ring of your own.




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As we mentioned a few days ago, the newly Grammy-trophied Diplo's new Decent Work for Decent Pay offers a good glimpse into the globetrotting DJs' travels—but sometimes, the way the selection flashes by makes you wish you could stop, stretch your legs and explore the local scenery a bit. So we've put together a more extended tour of the peripatetic producer's back catalog, focusing on his best remixes for fellow travelers M.I.A., Beck, Spoon, Daedelus and more. Listen to a sampling below, and click on through for the full playlist.

Taking Folk Music to School

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"Hi, I'm Pete Seeger, and this post is totally sweet. You should read it -- all of it."

I recently received an e-mail from the boss-man. "Do you want to write up a blog post about re-working the folk genre?" he asked. "The approach you take would be up to you, but I figure maybe there's something to say about some of the choices you've been making ... It can be as formal or as informal as you like."

Okay. I choose informal.

Please enjoy the following 1,500-word (and some change) rant on my recent update of Rhapsody's folk music genre hub -- THIS THING HERE -- which is our approximation of a kind of CliffsNotes for all of folk music, in other words a pretty good place to start if you're a folk newbie, and an equally sweet page to check out if you're a folk obsessive, 'cause you're bound to agree and disagree with some of the choices. If the prospect of my rant doesn’t tickle your fancy, try this: Chilly Weather. Hot Women.

Otherwise, take ol' Pete's advice and dive into this sucker.

Bad to T-Bone!

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Sure, perhaps it's a day late and dollar short with any kind of daffy recap of the 51st annual Grammys, but over 72 hours later it's hard to shake the feeling that the event was fairly surreal. First, there's the lingering creepiness of Chris Browns' alleged beating (and biting!) of Rihanna. Then, there's the truly un-Grammy-like distribution of awards, which, breaking from tradition, heavily favored a credible, worthwhile record in Alison Krauss and Robert Plant's Rising Sand. The way that thing dominated the show, going five-for-five to win everything for which it was nominated, was something of a shock. But, beyond the deeply satisfying comeuppance for Krauss and Plant, it might also serve as unequivocal validation for the record's producer and mastermind, T-Bone Burnett.

Raising Sand is only the tip of the iceberg when you look back at Burnett's accomplishments as a producer. Considering the man's production credits and impeccably curated soundtracks -- The Big Lebowski and O Brother Where Art Thou among them -- Burnett's proven himself the ultimate sideman, helping to make genius records for other people even if his own might be...a little lackluster. His secret is translating boomer-music-nerd cred into a mainstream language, which Raising Sand did with aplomb. We'll raise a glass to Burnett with a selection that brings together some favorite tracks he's had a hand in creating, from power pop king Elvis Costello's and smoky seductress Sam Phillips', to chart-topping hits from the Counting Crows and the Wallflowers. (If you'd like to launch this playlist in the Rhapsody player, click here).
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Song: What Love Can Do
Album: Working On A Dream
Artist: Bruce Springsteen
Date: February 11, 2009

Since Valentines Day is right around the corner, we look to Bruce's uptempo rocker to hear about some of the lovely things that love can do.




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Concentric Pleasures is a blog column dedicated to the best in electronic dance music: house, techno, their cousins and offspring. Named in honor of vinyl's grooves, it's a weekly roundup of new releases and back-catalog finds.

Their jeans are skinnier, their pouts poutier, their hair more tousled than yours. They are, of course, Paris' Kistune label, purveyors of haute fashion and hot dancefloor action. And now Scion AV, the club-culture arm of the automaker, has invited them to sit behind the tinted windshield for a spin. Scion Sampler Volume 23: Kitsuné Pioneer features acts like Ted&Francis, Heartsrevolution and Guns N' Bombs, plus bigger-britches names like Alex Gopher and Para One. In honor of the occasion, we put together a playlist digging deeper into the label's history, highlighting tracks and remixes from Simian Mobile Disco, M.I.A., Digitalism, Hot Chip, Black Strobe, Joakim, Klaxons, Crystal Castles, and just about anyone who's anyone in the world of punky, irreverent electro. Forty tracks deep, it's like a virtual visit to Paris' painfully hip Colette boutique—but way cheaper. Check the preview below, and click on over to get the full playlist.



Alela Diane
To Be Still [Rhapsody Premiere]
Play!

Although Alela Diane's 2006 debut, The Pirate's Gospel, demonstrated the singer's promise, the rewards were fairly subtle. The skeletal, foggy-headed folk fit too snugly alongside lesser beings in Joanna Newsom's shadow and received little notice other than watchful fans of their shared ZIP code in Nevada City, Calif., and (strangely) France. The songs of Gospel, while spare, were pulled off with the same trick that has helped her go-to influences like Sandy Denny and Karen Dalton remain so durable: they're fragile enough to invoke the hope of spring but scrappy enough to last through the winter.

But the promise of Pirate Gospel is only delivered upon when you dig into the follow-up, To Be Still. The development lies not in the quality of the songwriting itself -- though tunes like "White as Diamonds" are more confident, visceral, and sure-footed than anything on her first collection -- but in the full realization of what Diane can do with a robust accompaniment. Take "...Diamonds," for instance, which opens in the kind of spare and melancholic loll that structures Gospel's "The Rifle." This time around, she's backed by an unvarnished violin line, a syrupy backbeat and a stormy descent of strings, and suddenly the emotive punch of her alto is dramatically increased. With restraint and careful choices in orchestration, the songs find a warm context.

The entire record is shaped and shaded by these dynamic decisions, from the wistful shuffling of "To Be Still" to the pulsing tom-toms that relentlessly drive "The Ocean." And even if it does have the bells and whistles absent from her earlier work, the focus remains on Diane's agile vocals (often accompanied by her own voice in a breathy harmony), which needs little assistance to inspire chills on "Tatted Lace" or "Lady Divine."

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Song: Heartless
Album: 808s & Heartbreak
Artist: Kanye West
Date: February 10, 2009

Lovebirds get their day on Feb. 14, but what about the lovelorn? Well, they can turn their broken hearts into hit singles -- right, Kanye?




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Did you know that Motown Records turns 50 this year? To mark the occasion, we're letting you take an extraordinary peek into the recollections of one of Motown's greats, Otis Williams of the Temptations. Here, the sole surviving founding member of the group shares some of his favorite songs - and a few memories - from the golden era of Motown. Ready for the ride?

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Song: No You Girls
Album: Tonight: Franz Ferdinand
Artist: Franz Ferdinand
Date: February 09, 2009

Up to their old tricks, Franz Ferdinand strut their stuff with this stomping, clomping dance tune about girls, girls, girls.



Philadelphia-based DJ, songwriter and producer Diplo.

SoundTreks: A regular feature on the music the other 97 percent of the globe is listening to.

One month into 2009 and we're already staggering under the great releases. Some of them have been bubbling in Europe for awhile: Rokia Traore's bird-bone delicate Tchamantche, Mariza's melancholic but slightly more pop-oriented Terra (check out that luscious collabo with Tito Paris, "Beijo De Saudade"). Others have seemingly popped out out of nowhere -- like Cesaria Evora's lost tapes from an impromptu recording session in Cape Verde 40 years ago. And then of course there's the musically ravenous Diplo, a DJ/producer who's helped make M.I.A. a pop star. Get caught up on the latest releases -- and listen to a free sampler after the jump.

Finnish folk metal band Turisas.

So here's a question: do you think, if genuine Vikings still existed (assuming they don't, of course), that they would actually choose metal as the music they'd listen to through their helmet earbuds? Ponder that, while you consider these:

Trivium, Shogun (Roadrunner Records): In theory I like the idea of Teeny-'tallica, really I do. But man, for kids trying to act tough, Trivium sure do whine a lot. Not sure whether "Torn Between Scylla and Charybdis" is a Sting reference or not.

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Song: Please Read the Letter
Album: Raising Sand
Artist: Alison Krauss and Robert Plant
Date: February 06, 2009

With its ethereal magic, this Record of the Year contender is one of a handful of songs that demonstrates the worthiness of Plant & Krauss’ multiple nominations.



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Song: Love Song
Album: Little Voice
Artist: Sara Bareilles
Date: February 04, 2009

We’re not trying to toot our own horn here, but it was just after Sara Bareilles’ “Love Song” was featured on a Rhapsody commercial that the feisty California-born songwriter blew up. Bareilles lent her voice to one of the most ubiquitous pop songs of the year and the album from which it came, Little Voice, has charted all over the world. If it brings home the award for Song of the Year, she totally owes us.



Latin freestylers, back-alley punks, boogaloo trailblazers, techno precursors, hard-rock gals, nu-metal boys, squishy electronic animals that leap from lily pad to lily pad: the trapdoors that keep fine artists out of the Hall of Fame (or even its public bathrooms) may not be fair, but they touch all bases. A few are below.

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Song: Miss Independent
Album: Year of the Gentleman
Artist: Ne-Yo
Date: February 04, 2009

The quintessential gentlemanly track from Ne-Yo’s Year of the Gentleman has earned a Grammy nomination for both Best Male R&B Vocal Performance and Best R&B Song. It also put the hot handed production team, Stargate (the fellows behind Beyonce’s “Irreplaceable”), in the spotlight again.


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Man has been mixing sound and sight since the first Paleolithic artisans took charcoal to cave wall as they nodded their long, bug-filled hair and hummed the opening riff of Metallica's "And Justice for All." With this collection, we celebrate the union of painting and music, its offspring, its bastard children and its creepy uncles who resemble Sloth from Goonies or, who's that one guy ... oh yeah, Tiny Tim (boy, he's ugly!). Rhapsody proudly presents: "Tangled Up in Hues: Excellence in Rock Portraiture."

For more riveting Rhapsody features, click here.

Rhapsody Reviews: The Fray

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Rhapsody Reviews: Text about music -- remember that?

The Fray
The Fray

The Denver boys have been living well off their debut How to Save a Life for over three years thanks to a multitude of TV exposure. They keep the trend going here, debuting their first single, "You Found Me," on Grey's Anatomy. It's a lucrative plan, and this second album is sure to succeed along the same soundtrack-appealing path. Over 10 songs, though, it all becomes a bit predictable: soft piano intro; pensive chorus that builds with the passion of a lovers' quarrel; and Isaac Slade's sensitive, sometimes strained croons (you just want to give the guy a hug!). "You Found Me" and "Say When" are guaranteed hits, but the little goodies here are in "Ungodly Hour," a track that could very well be confused with a Coldplay ballad (in fact, Slade stretches his vocals from a soothing softness to a casual falsetto in nearly the exact same way Chris Martin has trademarked); and in "We Build Then We Break," where the band finally busts out a little bit of rock 'n' roll 'tude. There's certainly an appeal to the Fray -- it's hard not to get wrapped up in their sentimentality without feeling just a little bit introspective. We'd just like to see a tad more oomph next time around.

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401K in the dumps? Bank foreclose on your house? Heck, did your bank fail altogether? Depressing times call for depressing albums, for sad songs to keep you company when rain drops are falling on your head. From country to soul, indie rock to hip-hop, the following records won't erase your blues, but they may provide reassurance that at least you're not alone in having them. [Click here to continue the journey through The Most Depressing Albums of All Time.]

For more riveting Rhapsody features, click here.
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Rhapsody Reviews: Text about music -- remember that?

The Veronicas
Untouched, Lost Tracks
The Veronicas are the best pop group you've never heard, and this EP proves it. Driven by the title track, the lead single off the Aussie duo's sophomore album and their biggest stateside hit to date, the album moves on to a rocking acoustic version (no, seriously, it rocks). But unlike so many of these deluxe EPs, the "lost" (aka unreleased) tracks here are just as compelling as the single Untouched draws you in with, whether the Origliasso twins are Pink-ly disillusioned and husky-voiced; sleekly, chicly electro-pop; or combining both styles (as on the fantastic "Everything").
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Rhapsody Reviews: Text about music -- remember that?

Leona Lewis
Spirit Deluxe
Leona Lewis's much-heralded, chart-topping debut gets the deluxe treatment all the kids are so crazy for these days. Three new tracks are included: Her aching cover of Snow Patrol's "Run" (which has already achieved the honor of being the U.K.'s fastest-selling digital release ever); the soulful "Forgive Me," which more than earns the British chanteuse the title of "the next Mariah Carey;" and a dancefloor-ready cut of her mega-hit "Bleeding Love."

Related: Leona Lewis picture gallery.
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Rhapsody Reviews: Text about music -- remember that?

Willie Nelson, Asleep at the Wheel
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Willie's penchant for collaboration has defined his late career; he's joined up with everyone from alt country pouter Ryan Adams [hear it here] to late-night comedian Stephen Colbert. Even though he's backed here by veteran traditional country outfit Asleep at the Wheel, this seems as much of a partnership with recently deceased Atlantic Records boss and iconic producer Jerry Wexler, who had the concept for the record shelved for years and produced it just before his death. Similar to Willie's 2006 release You Don't Know Me: The Songs of Cindy Walker, he sings the genre of his youth with obvious revelry, and here the band's virtuosity (indisputable from the very start with the noodling Dixie horns of "Hesitation Blues") feels every bit as affectionate. For that, thank Ray Benson, longstanding front man of Asleep at the Wheel, whose arrangements help make "Sweet Jennie Lee" and "Oh! You Pretty Woman" particularly swinging standouts.

Rhapsody Reviews: Lonely Road

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Rhapsody Reviews: Text about music -- remember that?

The Red Jumpsuit Apparatus
Lonely Road
It's all of 12 seconds before Red Jumpsuit commence their full-blown shred, announcing the chops-heavy, melodic rock that dominates their sophomore release with Duke Kitchens' lightening speed finger-tapping. While most of the record feels like an anticipated progression from Don't You Fake It, the songs that lie beneath the ripping are better in every way -- they're hookier and thematically more developed, more concise, more dynamic, more ... everything. When they weave in a half-speed breakdown, as on "Pen & Paper" or "Represent," it suggests that they are the most capable mainstream act to look to the '90s underground for inspiration (sorry, Fall Out Boy). But it's not all emo 2.0 posturing either; "Believe" is a swinging rock ballad lush with strings and cooing vocal back-ups that goes out on a limb with its soul inspiration -- and nails it. The verse of "Pleads and Postcards" is structured over a stadium-size riff nipped from AC/DC. If this pile of influences sounds all over the map, it most certainly is, but the album's feel is still consistent (thanks in large part to vocalist Ronnie Winter, who is not afraid to show off the technical ability of his pipes), resulting in a record that shows a band that delivers on its huge potential.
GodsofGUyliner.jpg

From Pete Wentz to Jared Leto, Brandon Flowers and that weird alien-kid in Tokio Hotel, the male rocker is no stranger to the light touch of the soft pencil: eyeliner. Not since the heyday of Motley Crue and Twisted Sister have so many male eyelids been so questionably adorned in the stuff. Join us as we rate and berate these Gods of Guyliner.
Jason.jpg

Song: I'm Yours
Album: We Sing. We Dance. We Steal Things
Artist: Jason Mraz

Date: February 02, 2009

Jason Mraz earned a Grammy nomination for Song of the Year with this head-over-heels slice of folk rock. It’s freshly upbeat and breezy as a summer day. .


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