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October 2008

31 October 2008

SoundTreks: An Eye on Asian Pop

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SoundTreks: A regular feature on the music the other 97 percent of the globe is listening to.

"World music" has always been something of an ironic (not to mention ironically limited) descriptor: The "world" in world music doesn't include significant parts of Europe and North America, the music of the whole "world" is given a disproportionate amount of global media and promotional attention, etc., etc. One of the less central (and less often discussed) ironies of the industry, however, is that Asian music, in general, and especially Asian pop music (with the occasional J-pop exception) just doesn't circulate through the world music conduits all that readily. To some degree, the rest of the world's lack of access to Asian pop has to do with differences in local music industries. But it also might be related to a general dismissal of commercial Asian pop as just a bunch of sappy ballads and canned beats.

And okay, yes, there are actually a lot of sappy ballads -- although we shouldn't be too quick to write that material off either. But that's another SoundTrek. Today we're talking about the peppier stuff in the Asian pop oeuvre, particularly in the region's videos. And, oh boy, are there plenty of downright campy, deliciously candy-coated nuggets there -- the stuff that makes pop everywhere good and addictive. Moreover, there's a kind of joie de vivre (and sometimes a wacky plotline) that's often missing from Western pop.

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Free MP3: Bruce Springsteen, "Jersey Devil"

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I don't know about you ghouls, but if I had the choice between taking a Charleston Chew that might have been sitting in some crazy old cat lady's house since the last Great Depression or taking some bona fide (haunted) roadhouse blues from the Boss, I know what I'd take. Luckily, this is the Internet where you can have everything all of the time; so for now, enjoy this free Halloween-themed free download courtesy of Bruce Springsteen, wherein the Garden State rocker laureate takes on the myth/legend of the Pine Barrens' own New Jersey devil.

Further Viewing:
Bruce Springsteen's "Jersey Devil" video

Further Listening:
Bruce Springsteen, "Jersey Devil"

Dig This! The Dutchess & The Duke

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Dig_this_thumb_2Folk-rock that harkens back to the mid-‘60s isn’t a new direction for music. But Seattle duo, the Dutchess & the Duke, aren’t all that predisposed to the glow of the new. Lifelong friends Jesse Lortz and Kimberly Morrisson lived through their twenties chasing a youthful energy in a long line of surf, garage and punk-rock bands. They have also come out on the other side of 30 with an expertise in two-part harmonies, acoustic guitar- and tambourine-driven songs that bear the tight construction of Stones and Dylan classics, and personal biographies that make for some interesting points and counterpoints. In under 30 relatively lo-fi recorded minutes, their debut, She’s the Dutchess, He’s the Duke, shows off songwriting chops and an empathetic vision of life gained from experience. And while experience isn’t necessarily a new direction, it’s always worth gaining. This was the undercurrent to the conversation Rhapsody began with Lortz and Morrisson in Seattle and finished in New York, soon after the Dutchess & the Duke played the Rhapsody Rocks NYC party earlier this October.

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Heavy Metal Ketchup #9: Iced Earth, Hollowpoint, Holy Moses, more

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What does it mean that, of the five ear-bleeding albums accounted for below, the two I get long-winded about are both by bands of manly men from Tampa, Florida -- neither playing especially sun-shiney music? Yes, it's a major swing state. No, I won't get superstitious.

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Rhapsody Song of the Day

100x100 Song: Halloween
Album: The Days of Wine and Roses

Artist: 
The Dream Syndicate
Selected by: Jen Guyre
Date: October 31, 2008

If we picked the Misfits or kicked it old school with some Screamin' Jay Hawkins, let's face it -- anyone would've seen that coming a mile away. So instead, we're celebrating All Hallows Eve with some tortured indie souls.

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30 October 2008

Q&A: Michelle Williams

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Michelle Williams' new album, Unexpected, actually came as a surprise to Williams herself. After two gospel albums, the Destiny's Child alum returned to the studio to work on her third solo effort, this time with a breakup on the brain. The resulting album was, "Alright," says Williams. After calling for backup – her mother – she scrapped it and went back to the studio. "My mom was like, 'You sound so bitter! Make music that people can dance to.' And that really helped me – like even if you are upset, still dance!" And dance, you will. Unexpected is, in a way, Williams' coming out party. With producers like Stargate and Rico Love manning the boards, she successfully sheds some of her good-girl image with a sound that's covered in sequins and sass, delivering a hybrid confection that's deceptively sweet ("Thank U") and naughtily nice ("Private Party"), a blend of R&B ("Hungover") and Euro-pop shimmy ("Lucky Girl"). Here, Williams speaks on her new attitude and more. 

[Click the "Continue Reading..." link to listen to a playlist featuring the music discussed in this post.]

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Singling Out 2008: Cyndi Lauper, CSS, Menudo & more

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Time for more 2008 singles that it's my professional responsibility to have an opinion about, seeing how Frank Kogan listed them among his 42 favorites of the year so far -- a list I'd started to pick through in a previous post, though "We Break the Dawn" by Michelle Williams and "Energy" by Keri Hilson have grown on me since then. In this far less cynical round, I actually already like a bunch of the tracks I wrote about! Here they are:

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Rhapsody Song of the Day

100x100_2 Song: King of Rock
Album: King of Rock

Artist: 
Run-D.M.C.
Selected by: Sam Chennault
Date: October 30, 2008

We've lost many hip-hop legends, but the death of Run DMC's Jam Master Jay on this day in 2002 seemed more significant in its symbolism. It was not only the murder of one of hip-hop's most talented, but also the official end of an era. The innocence of hip-hop's early years had given way to a more violent malaise that was entertainment for some and a lifestyle for others. That hip-hop neocon 50 Cent was initially implicated in the murder only hammered the point home.

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29 October 2008

Indie Hip-Hop's Surge

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Count me among those who’ve been skeptical of the continued artistic relevance of indie/underground hip-hop in 2008. There is still a lot of great talent on the scene, both in terms of vets (Murs, Madlib, DOOM, Jean Grae) and rookies (Blu, Black Milk, Pac Div, Blue Scholars), but barely any decent new music was released in the first eight months of the year. The only indie hip-hop album with any replay value was Jean Grae’s Jenius, which was recorded three years prior. And then September hit.

[Click the "Continue Reading..." link to listen to a playlist featuring the music discussed in this post.]

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Rhapsody Song of the Day

100x100 Song: Mah Na Mah Na
Album: Mah Na Mah Na: Vulcanology.it Remixes

Artist: 
Piero Umiliani
Selected by: Nick Dedina
Date: October 29, 2008

On this great day in 2003, researchers proved that songs get stuck in your head because their very repetition actually scratches hidden itches in your brain. We aren't sure who those researchers are, but they work in a very neat lab. Everyone has an opinion on the "itchiest" song of all time, but our vote goes to Piero Umiliani's peerlessly goofy hit "Mah Na Mah Na." Umiliani first wrote the song for a Swedish softcore flick in the late 1960s and it became a Hippie-era hit across the globe. Jim Henson obviously loved the ditty (or, maybe he was fond of Swedish erotica?) because he had his Muppets perform it on the Ed Sullivan Show, Sesame Street and on the debut episode of ... The Muppets.

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